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Not knowing this, Mona and Geoffrey (whose flask is empty) accept the proffered milk, and make merry over their impromptu feast, while in the background, the old woman smiles upon them and utters little kindly sentences.,

The chief lifted the slender young form, placed it on the pile of wood, and told a woman to bring coals and set fire to the pile. When this had been done, all left the place except Three Bulls, who stayed there, tending the fire and poking it here and there, until it was burnt out and no wood or trace of a human body was left. Nothing remained except the little pile of ashes. These he scattered. Still he was not satisfied. His medicine was strong; perhaps his dream had warned him. Now he ordered that the lodges be taken down, that everything be packed up, and that the trail of the moving camp should pass over the heap of ashes.,

The old woman smiled again.,

"Why, what is this?" she says, a moment later; "and what a curious hand! Not a gentleman's surely."

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"I don't, but I know Lady Mary and Miss Blake always get their things from a woman called Manning.",

"What do you mean, Geoffrey?" demands his mother, with suppressed indignation.,

"I know," says Mona, brightening, and putting on an air so different from her own usual unaffected one as to strike her listener with awe. "I shall say, 'Oh! thanks, quite too awfully much, don't you know? but Geoffrey and I didn't find it a bit long, and we were as warm as wool all the time.'",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.